Author Jeremy Eichler: “It’s not just we who remember music, but music that remembers us as a society.”

When our brains replace the actual lyric of a song with an erroneous substitution, is this a mere mishearing? Or is something more akin to Freudian parapraxis at play?

The new edition … sheds more light on Kurt Cobain and Nirvana, but also the work of being a journalist and trying to get to the bottom of who your subject is.

Seeing music as a “body” awash in color, hearing it when no one else does, landed her in hospitals as a teenager and resulted in misdiagnoses such as bipolar and schizophrenia—along with the requisite medications.

Storytelling is central to both literature and psychoanalysis, as is language more generally: what is said and not said.

This movie is a fanciful representation of what many Americans are experiencing now—a full-on identity crisis—and if we don’t discover who we are and what we’re here for, we’re in for a mental collapse.

How many of these Freudian flicks have you seen?

How do we approach patients who are experiencing a downturn in their marriage, or marriage-like commitment, even a desiccation of love?

Sigmund Freud’s famous dictum “from error to error, one discovers the entire truth” seems entirely appropriate as a guide for attempting to critically evaluate Matthew Brown’s strange film adaptation of Mark St. Germain’s one-act play Freud’s Last Session.

In season 8 of his CNN travel show Parts Unknown, Anthony Bourdain visits a psychoanalyst during a trip to Buenos Aires, a city some have called the psychoanalytic capital of the world.

Picture this: One Saturday morning in the mid- 1980s, a ten-year-old boy and his mother are roaming the weekly farmers’ market in a college town in western Massachusetts.

Why do we seek out pain, and how does the pursuit differ in men and women? Filmmakers around the globe have mined for the answers. Here are eight double features with male protagonists who just can’t get enough pain, punishment, and self-destruction.

Chukwudi Iwuji on creative process, childhood dreams, and his role in Guardians of the Galaxy 3…

Reading Shakespeare’s Antony and Cleopatra…

Sigmund Freud and William Shakespeare go together like peanut…

In artmaking, according to Ernst Kris, the ego simultaneously…

Freud has always fascinated artists. The production of dramas about…

In a pivotal scene very near the end of Florian Zeller’s 2020 film The Father, the titular character Anthony (played by Sir Anthony Hopkins) says to a caregiver in a heartbreaking moment of memory struggle, “I feel as if I’m losing all my leaves ... the branches and the wind and the rain ... I don’t know what’s happening anymore.”